{"id":547,"date":"2026-03-26T14:51:08","date_gmt":"2026-03-26T14:51:08","guid":{"rendered":"https:\/\/rhealeman.com\/rhea\/?page_id=547"},"modified":"2026-04-30T10:21:55","modified_gmt":"2026-04-30T10:21:55","slug":"arendt-thalia-2025","status":"publish","type":"page","link":"https:\/\/rhealeman.com\/da\/arendt-thalia-2025\/","title":{"rendered":"ARENDT, t\u00e6nkning i m\u00f8rke tider"},"content":{"rendered":"<div data-elementor-type=\"wp-page\" data-elementor-id=\"547\" class=\"elementor elementor-547\" data-elementor-post-type=\"page\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-a43bdb4 e-con e-atomic-element e-flexbox-base g-360aa3c e-a43bdb4-5165f49 main-f-box\" data-id=\"a43bdb4\" data-element_type=\"e-flexbox\" data-e-type=\"e-flexbox\" data-interaction-id=\"a43bdb4\">\n\t\t<div class=\"elementor-element elementor-element-b87ef06 e-grid e-con-full e-con e-child\" data-id=\"b87ef06\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d5be240 e-con e-atomic-element e-flexbox-base image_left e-d5be240-d391090\" data-id=\"d5be240\" data-element_type=\"e-flexbox\" data-e-type=\"e-flexbox\" data-interaction-id=\"d5be240\">\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-439923f e-con e-atomic-element e-flexbox-base text_right\" data-id=\"439923f\" data-element_type=\"e-flexbox\" data-e-type=\"e-flexbox\" data-interaction-id=\"439923f\">\n\t\t\t\t\t\t\t<h1 \n\t\tdata-interaction-id=\"ebbe6c8\" \n\t\tclass=\"main_title e-heading-base\" \n\t\t \n\t\tdata-e-type=\"widget\" data-id=\"ebbe6c8\"\n\t>\n\t\n\t\t\tARENDT, t\u00e6nkning i m\u00f8rke tider\n\t\t<\/h1>\n\t\t\t\t<div class=\"elementor-element elementor-element-53e2ee2 elementor-widget elementor-widget-text-editor\" data-id=\"53e2ee2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\">Tysk premiere 11. oktober 2025<br \/>THALIA THEATER, Hamborg, Tyskland<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5e932ee elementor-widget elementor-widget-text-editor\" data-id=\"5e932ee\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Et gribende drama baseret p\u00e5 filosoffen Hannah Arendts liv og t\u00e6nkning.<\/p><p>Forestillingen tager os med til 1975, hvor Arendt er i K\u00f8benhavn for at modtage den ber\u00f8mte Sonningpris. Her konfronteres hun med stemmer fra fortiden, der f\u00f8rer hende p\u00e5 en intens og turbulent rejse gennem hendes liv, de valg hun traf, og de politiske teorier hun pr\u00e6senterede. Vi f\u00f8lger hende p\u00e5 flugt fra nazisterne i 1930'ernes Berlin, som statsl\u00f8s i Frankrig og USA og som korrespondent for The New Yorker under retssagen mod topnazisten Adolf Eichmann.<\/p><p>Forestillingen afspejler nutidens udfordringer med antidemokratiske bev\u00e6gelser, totalitarisme og populisme, som rejser sp\u00f8rgsm\u00e5l om vores ansvar som mennesker \u2013 sp\u00f8rgsm\u00e5l, som Arendt selv udforskede gennem hele sit liv.<\/p><p>Denne forestilling er et fiktionsv\u00e6rk inspireret af Hannah Arendts liv og t\u00e6nkning.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bf06efe elementor-hidden-desktop elementor-hidden-tablet elementor-hidden-mobile elementor-widget elementor-widget-text-editor\" data-id=\"bf06efe\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><strong>Skrevet af:<\/strong> Rhea Leman<\/p><p><strong>Instrukt\u00f8r:<\/strong> Tom K\u00fchnel<\/p><p><strong>Medvirkende:<\/strong> Corinna Harfouch, Oliver Mallison, Andr\u00e9 Szymanski<\/p><p><strong>Scenografi:<\/strong> Jo Schramm<\/p><p><strong>Kostumer:<\/strong> Ulrikke Gutbrod<\/p><p><strong>Musik:<\/strong> Hannes Gwisdek<\/p><p><strong>Video:<\/strong> Jo Schramm<\/p><p><strong>Dramaturg:<\/strong> Saskia Jablonska<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<p class=\"cast e-2a9c16a-adf94a9 e-paragraph-base\" data-interaction-id=\"2a9c16a\"  data-e-type=\"widget\" data-id=\"2a9c16a\">\n\t\t\t\t\t\t\t\t<strong>Skrevet af:<\/strong> Rhea Leman<br><strong>Instrukt\u00f8r:<\/strong> Tom K\u00fchnel<br><strong>Medvirkende:<\/strong> Corinna Harfouch, Oliver Mallison, Andr\u00e9 Szymanski<br><strong>Scenografi:<\/strong> Jo Schramm<br><strong>Kostumer:<\/strong> Ulrikke Gutbrod<br><strong>Musik:<\/strong> Hannes Gwisdek<br><strong>Video:<\/strong> Jo Schramm<br><strong>Dramaturg:<\/strong> Saskia Jablonska\n\t\t\t\t\t<\/p>\n\t\t\t\t<div class=\"elementor-element elementor-element-60c5fbf elementor-widget elementor-widget-text-editor\" data-id=\"60c5fbf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\"><strong>Fotos:<\/strong>\u00a0Katrin Ribbe<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4395033 elementor-widget elementor-widget-text-editor\" data-id=\"4395033\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>\u201cSikke et skuespil \u2013 det er \u201cvellavet\u201d ned til mindste detalje; og Tom K\u00fchnels hold former det til en tankestorm. (\u2026) Arendt bliver. Selv p\u00e5 denne roste, sp\u00e6ndende aften p\u00e5 teatret. Men hovedpersonen er en forfatter, vi ikke kendte f\u00f8r. Og selvf\u00f8lgelig Hannah Arendt. For evigt.\u201d<br \/><strong>Michael Laages, nachtkritik.de, 12. oktober 2025<\/strong><\/p><p>\u201cArendt \u2013 Thinking in Dark Times\u201d er et ekstremt st\u00e6rkt, stjernesp\u00e6kket skuespil, der desv\u00e6rre giver st\u00e6rk genklang i vores tid. En vigtig og f\u00e6ngslende teateraften om tankens kraft. Selv i m\u00f8rke tider.\u201d<br \/><strong>Annette Stiekele, Hamburger Abendblatt, 12. oktober 2025<\/strong><\/p><p>\u201cMed sit drama, der allerede er anerkendt i Danmark, tilbyder Rhea Leman et skarpsindigt psykologisk portr\u00e6t af den kl\u00f8ft, der fortsat l\u00f8ber gennem samfundet.\u201d<br \/><strong>theaterkompass.de, 12. oktober 2025<\/strong><\/p><p>\u201cTrods sin kompleksitet lykkes det den tysksprogede premiere p\u00e5 Hamborgs Thalia Theater at skabe et st\u00e6rkt billede. Corinna Harfouch portr\u00e6tterer en klog og selvsikker kvinde, der har sv\u00e6rt ved at slippe fri af denne sk\u00e6bnesvangre situation. Arendt var ikke en ubetinget tilh\u00e6nger af Israel som en samlet stat. Sidst i forestillingen ber\u00f8rer stykket de mest aktuelle politiske omv\u00e6ltninger og menneskelige dramaer.\u201d<br \/><strong>Detlev Baur, Die Deutsche B\u00fchne, 12. oktober 2025<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-bc4c55e e-con-full e-flex e-con e-child\" data-id=\"bc4c55e\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-d545ff8 elementor-widget elementor-widget-gallery\" data-id=\"d545ff8\" data-element_type=\"widget\" data-e-type=\"widget\" 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data-e-action-hash=\"#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTU0LCJ1cmwiOiJodHRwczpcL1wvcmhlYWxlbWFuLmNvbVwvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNlwvMDNcL2FyZW5kdF8zMzAud2VicCIsInNsaWRlc2hvdyI6ImQ1NDVmZjgifQ%3D%3D\">\n\t\t\t\t\t<div class=\"e-gallery-image elementor-gallery-item__image\" data-thumbnail=\"https:\/\/rhealeman.com\/wp-content\/uploads\/2026\/03\/arendt_330.webp\" data-width=\"1920\" data-height=\"1278\" aria-label=\"\" role=\"img\" ><\/div>\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"elementor-gallery-item__overlay\"><\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-012631d e-con-full elementor-hidden-desktop elementor-hidden-tablet elementor-hidden-mobile e-flex e-con e-child\" data-id=\"012631d\" data-element_type=\"container\" data-e-type=\"container\">\n\t\t\t\t<div class=\"elementor-element elementor-element-25f55a1 elementor-widget elementor-widget-heading\" data-id=\"25f55a1\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">ARENDT -<br>Denken in finsteren Zeiten<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2a385bf elementor-widget elementor-widget-text-editor\" data-id=\"2a385bf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\">Tysk premiere 11. oktober 2025<br \/>THALIA THEATER, Hamborg, Tyskland<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2ac2905 elementor-widget elementor-widget-text-editor\" data-id=\"2ac2905\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>The time is now, the place is Hitler&#8217;s F\u00fchrebunker, the man is Dr. Joseph Goebbels, Hitler&#8217;s loyal Minister of Propaganda and Enlightenment, a man who can&#8217;t die until his mission is completed.<\/p><p>Down in the bunker, Goebbels sends his daily dispatch via Art, Culture, and Communication produced by RADIO FREE GOEBBELS. Here, he teaches his loyal listeners the importance of culture and its link to propaganda. &#8220;You don&#8217;t change a culture with weapons, you change a culture with culture.&#8221; In walks Leni Riefenstahl, the film director of the Third Reich, and their dance of death begins.<\/p><p>Rhea Leman wrote HITLER ON THE ROOF in 2010, inspired by the harsh right-wing tone that appeared in the Danish political arena. Unfortunately, the play&#8217;s message is more relevant today (2026) than ever before.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-41696f8 elementor-widget elementor-widget-text-editor\" data-id=\"41696f8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><strong>Skrevet af:<\/strong> Rhea Leman<\/p><p><strong>Instrukt\u00f8r:<\/strong> Tom K\u00fchnel<\/p><p><strong>Medvirkende:<\/strong> Corinna Harfouch, Oliver Mallison, Andr\u00e9 Szymanski<\/p><p><strong>Scenografi:<\/strong> Jo Schramm<\/p><p><strong>Kostumer:<\/strong> Ulrikke Gutbrod<\/p><p><strong>Musik:<\/strong> Hannes Gwisdek<\/p><p><strong>Video:<\/strong> Jo Schramm<\/p><p><strong>Dramaturg:<\/strong> Saskia Jablonska<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-658eec5 elementor-widget elementor-widget-text-editor\" data-id=\"658eec5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p class=\"p1\"><strong>Fotos:<\/strong>\u00a0Katrin Ribbe<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a1d2ecf elementor-widget elementor-widget-text-editor\" data-id=\"a1d2ecf\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p><em>\u201cArendt &#8211; Thinking in Dark Times\u201d is an extremely powerful, star-studded play that, unfortunately, resonates strongly with our times.<\/em><br \/><em>An important, compelling evening of theater about the power of thought. Even in dark times.<\/em><br \/><strong>Annette Stiekele, Hamburger Abendblatt, 12. oktober 2025<\/strong><\/p><p><em>With her drama, already acclaimed in Denmark, Rhea Leman offers a perspicacious psychological portrait of the rift that continues to run through society.<\/em><br \/><strong>theaterkompass.de, 12. oktober 2025<\/strong><\/p><p><em>Despite its complexity, the German-language premiere at Hamburg&#8217;s Thalia Theater succeeds in creating a powerful image. Corinna Harfouch portrays a clever and self-assured woman who cannot come off well in this fateful situation.<\/em><br \/><em>Arendt was not an unconditional supporter of Israel as a unified state. And at that point, at the latest, the play and its production touch upon the most current political upheavals and human dramas.<\/em><br \/><strong>Detlev Baur, Die Deutsche B\u00fchne, 12. oktober 2025<\/strong><\/p><p><em>What a play\u2014it is &#8220;well-made&#8221; down to the last detail; and Tom K\u00fchnel&#8217;s team shapes it into a storm of thought. (&#8230;) Arendt remains. Even on this acclaimed, exhilarating evening at the theater. But the main character is an author we didn&#8217;t know before. And, of course, Hannah Arendt. Forever.<\/em><br \/><strong>Michael Laages, nachtkritik.de, 12. oktober 2025<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<div class=\"elementor-element elementor-element-cdbac18 e-con-full elementor-hidden-desktop elementor-hidden-tablet elementor-hidden-mobile e-flex e-con e-child\" data-id=\"cdbac18\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Thalia Theater, Hamburg, Tyskland<\/p>","protected":false},"author":1,"featured_media":549,"parent":0,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-547","page","type-page","status-publish","has-post-thumbnail","hentry","category-play"],"_links":{"self":[{"href":"https:\/\/rhealeman.com\/da\/wp-json\/wp\/v2\/pages\/547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rhealeman.com\/da\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rhealeman.com\/da\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rhealeman.com\/da\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rhealeman.com\/da\/wp-json\/wp\/v2\/comments?post=547"}],"version-history":[{"count":6,"href":"https:\/\/rhealeman.com\/da\/wp-json\/wp\/v2\/pages\/547\/revisions"}],"predecessor-version":[{"id":2828,"href":"https:\/\/rhealeman.com\/da\/wp-json\/wp\/v2\/pages\/547\/revisions\/2828"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rhealeman.com\/da\/wp-json\/wp\/v2\/media\/549"}],"wp:attachment":[{"href":"https:\/\/rhealeman.com\/da\/wp-json\/wp\/v2\/media?parent=547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rhealeman.com\/da\/wp-json\/wp\/v2\/categories?post=547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rhealeman.com\/da\/wp-json\/wp\/v2\/tags?post=547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}